I, the Executioner

Acclaimed action-film genius Ryoo Seung-wan, fresh off the success of his aquatic-crime epic Smugglers (TIFF ʼ23), brings us the highly anticipated sequel to his blockbuster, Veteran (TIFF ʼ15).

A gripping, entertaining detective thriller, I, The Executioner balances high-octane fight scenes and chases with a nuanced exploration of the corrosive impact of “fake news” and populist violence on society. It marks a departure from the original’s often comedic narrative and much lighter tone.

Returning detective Seo Do-cheol (Hwang Jung-min) now faces the challenges of fatherhood while grappling with the impact of his brutal job on his family. Joining him is rookie officer Park Sun-woo (Jung Hae-in), an ambitious young agent enamoured with the dark side of police work and the intoxicating power it has lent him. They team up to hunt a serial killer targeting criminals who have managed to escape justice.

The film’s critique of vigilantism and the abuse of social media and its reflection on societal disillusionment with the legal system are timely and deeply rooted in a collective global consciousness. Spectacular action sets and carefully orchestrated editing — enhanced by chilling sound design — offer a high level of suspense and excitement within an emotionally charged narrative, a testament to Ryoo’s great skill in creating visually stunning, highly dramatic cinematic experiences.

I, The Executioner is a standalone sequel that builds on the legacy of the original. The film’s reflection on the blurred lines between good and evil resonates deeply, offering a complex view of justice and violence in today’s society.

GIOVANNA FULVI

Content advisory: violence, bullying